Shadow Lines- Second View
Thursday, February 25th, 2010Often we come across works of art that create long-lasting impressions in our minds and hearts, something which in the words of William Wordsworth:
“The music in my heart I bore
Long after it was heard no more”
I will put Amitava Ghosh’s Shadow Lines in a similar category. Although it’s highly resistive to categorizations- it can be called a memory novel owing to the myriad of stupendously iridescent shards of memories embedded within its framework. Similarly, it claims a righteous placement right in between the manifold literature on post colonialism. At the same time, it’s a really loud cry against the prevailing nationalistic tendencies of the contemporary world in which Ghosh was writing. The highly definitive and descriptive imagery containing the maps, mirrors, reflections etc are in themselves, reflexive of the narrator’s personalized and depersonalized selves. What’s more, it’s also a great work full with modernist techniques.
The non-linear chronological progression of the novel coupled with the drifts across the worlds via the imaginative precepts of the mind is a fantastic method, to me, to bring out the confusions created by memories, remembrances and recollections. The novel begins in the year 1939 with Mayadebi’s departure with her husband and Tridib, her nine- year old son to England and concludes somewhere around 1970’s with the narrator’s exposure to the final “redemptive mystery” with May Price regarding Tridib’s death. It spans three generations of the Dutta Chowdhuries and the Prices and binds England, Cairo, Ceylon, India etc in a web of cartographic interpretations, transcendence of territorial boundaries and limitations of nations.The core of the story is the death of Tridib Dutta-Choudhuri, the narrator’s uncle, an archaeologist who presents the narrator-child worlds to travel in and
Nationalism in Shadow Lines is pitted against Internationalism. Reading from a gendered perspective, the narrator’s Thamma, a middle class teacher with deep nationalistic tendencies which ultimately are disillusioned towards the middle of the novel, is contrasted with his cousin Ila, the perfect globetrotter who distinguishes countries in terms of the standards and locations of Ladies’ Toilets in airports.
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